Dillion – definition

Quote

Dillion (noun): A slang term meaning twelve million dollars. Often used informally to denote a large sum of money just beyond a decillion but far more manageable — like a dozen million.

Example: “He sold the company for a cool dillion.”

Disagree well – Why do you want to believe that?

To disagree well, it’s essential to approach conversations with epistemic humility—acknowledging that you could be wrong. This mindset opens the door to understanding, not just winning the argument. By asking “Why do you want to believe that?”, you invite the other person to reflect on their beliefs, fostering a deeper dialogue rather than a debate.

Key Points for Disagreeing Well:

  • Start with humility: Recognize your own limits and uncertainties.
    “I see your point, and I could be wrong, but here’s how I see it.”
    “I’m not entirely sure, but I think there’s another way to look at this.”
  • Invite dialogue, not debate: Shift from winning to understanding.
    “I’m interested to hear your thoughts on this. Maybe we’re both missing something.”

  • Listen actively: Engage with the other person’s perspective, not just preparing your rebuttal.
    “That’s a good point. I hadn’t considered that angle before. Here’s how I’m thinking about it…”
  • Stay open to revising your view: Be willing to change your mind if presented with compelling evidence or new insights.
    “You make a solid point. Let me think about that and see if it changes how I view things.”

  • Avoid personal attacks: Focus on ideas, not individuals.
    “I understand your perspective, but I think this approach might have some flaws.”

In any discussion, it’s important to ask “Why are we here together?”—to understand the purpose of the conversation—and “What is our goal?” This helps guide the dialogue toward constructive outcomes. Ultimately, how we get from the purpose to the goal is through humility, active listening, and an openness to growth. By focusing on these principles, we foster meaningful, respectful exchanges that can lead to shared understanding or even change.

Rethinking Adult Autism Through Signal Analysis

Seeing the Whole Spectrum: Rethinking Autism Through Signal Analysis

 

In signal processing, frequencies come in two forms: positive and negative. These represent the direction of oscillation in a wave, and both are essential in forming a complete understanding of a signal. When we perform a Fourier Transform on a real-valued signal, the result is a symmetrical frequency spectrum—negative frequencies are the mirror image of positive ones. Because of this symmetry, analysts often focus only on the positive side, assuming the negative adds no new information. But the full signal only truly makes sense when both sides are considered. Ignoring half the spectrum might simplify the math, but it also filters out part of the story. In many ways, this mirrors how society has understood autism: by focusing only on the “visible” or more disruptive traits, we’ve overlooked the full richness of the spectrum.

The autism spectrum is broad, encompassing a diverse range of traits, experiences, and ways of thinking. Yet, historically, the conversation has focused almost entirely on the challenges—communication difficulties, social struggles, and behaviors deemed “abnormal” by neurotypical standards. These challenges, while real, are only one part of the picture. Like the negative frequencies in a signal, they have dominated the public perception, shaping a narrow, deficit-based narrative around autism. This framing treats difference as dysfunction and complexity as something to be minimized or managed, rather than understood.

What often gets overlooked are the strengths and unique abilities that also reside on the spectrum. Many autistic individuals demonstrate exceptional skills in pattern recognition, deep focus, honesty, creativity, and unconventional problem-solving. These are the “positive frequencies” of autism—traits that can be incredibly valuable, but which society often misses because it has been trained to look for problems rather than potential. Just as an engineer who only studies half the frequency graph misses the full shape and texture of a signal, we miss the full humanity and capability of autistic people when we ignore their strengths.

It’s not that the struggles should be denied or minimized; they are real and deserve support and understanding. But focusing only on the challenges creates an incomplete and often damaging narrative. We need to broaden the lens—to recognize that autism is not just a list of deficits, but a spectrum of human difference that includes resilience, insight, and gifts that may not always be immediately visible. The goal should be to tune into the full signal, not just the parts that are easiest to categorize.

By shifting the way we talk about autism—from a disorder to a spectrum, from a problem to a difference—we create space for inclusion, acceptance, and appreciation. Just as signal processing becomes more powerful when we understand both positive and negative frequencies, our society becomes more compassionate and whole when we learn to see the full range of human neurodiversity. The spectrum is not broken—it’s just been misunderstood.

Production Offsets – Delay is dead, latency is lame

Production Offset (noun):

The accumulated timing differences within a production process caused by variations in signal transportation time, processing speed, or media transfer over IP networks. These offsets occur when different elements of a production pipeline experience inherent latency due to the nature of their processing paths.

A production offset specifically applies when synchronization between signals is required to maintain a cohesive output.

Examples of Production Offsets:

  • Audio-to-Video Delay: When video encoding and transmission take longer than audio, causing lip-sync issues.

  • Program Audio vs. Video Delay: A mismatch between broadcast-quality audio and video paths, requiring realignment.

  • Media Transfer Delays: Timing mismatches when files, streams, or packets arrive at different times due to network transport latency.

Control Audio vs. Program Audio – Is It a Production Offset?

  • Control Audio (Intercom, IFB, Coordination): Must be as close to real-time as possible to minimize awkward pauses in live communication.

  • Program Audio (Broadcast, Recorded Content): May have additional latency due to processing, mixing, and distribution.

  • Since these serve different functional purposes, their latency differences are generally not considered a production offset unless they must be synchronized for a specific use case (e.g., when coordinating live feeds with talent responses).

Managing Production Offsets Involves:

  • Measuring transport and processing delays across different signal paths.

  • Collating and analyzing timing discrepancies.

  • Applying delay compensation or synchronization techniques.

  • Optimizing network and processing paths to reduce unnecessary latency.

By properly managing production offsets, teams ensure seamless synchronization where required, while also prioritizing real-time communication for control audio.

Example: The team compensated for the production offset between program audio and video while ensuring control audio remained as real-time as possible for smooth coordination.

 

Starrett Analog Gage Amplifier – No 718

ButFeatures

  • Zero set control.
  • Screwdriver adjustment for individual calibration.
  • Resolution: .0001″ (0.010mm) to .000010″ (0.001mm)
  • Range: .003″ (.300mm) to 10.0003″ (10.030mm)
  • Only three switches – one for inch/millimeter, one for fine or coarse resolution & one for polarity.\par
  • Compact size of 8″ x 4-3/4″ x 2″ (200 x 119 x 50mm).
  • 110 volt AC operation (7.5 volt transformer furnished).

 

 

Probe to get:

Starrett 715-1Z – LVDT Lever Type Gage Head

 

Calibration

The Redder, The Better 🚦

The Redder, The Better – A phrase used in audio engineering to describe how an audio signal is often considered optimal when the volume unit (VU) meter or LED peak meter enters the red zone. This indicates a strong signal level, improving the signal-to-noise ratio (SNR) by ensuring the desired audio remains well above the noise floor. In analog systems, slight red-zone peaks can add warmth and presence, while in digital systems, red peaks indicate maximum headroom before potential distortion or clipping. 🚦

 

 

Vigital – definition – Vigital Audio

Vigital (adj.) – A blend of vintage and digital, referring to obsolete or outdated digital technology that has been revived due to nostalgia, affordability, or unique aesthetic and functional qualities. While not the latest or most advanced, vigital tech holds value for enthusiasts who appreciate its historical significance, distinctive characteristics, or cost-effectiveness compared to modern alternatives.

“That synth is vigital.”
“Vigital consoles are sweet”

“Like the Vigital spx90… what it lacks in depth, it makes up for in brittleness and nastalgia”