Open Air – Zone Awareness Processor

Creating a memorable logo? Here are a few key tips I’ve found helpful:

Iteration is Key: Don’t expect perfection on the first try. Explore multiple concepts and refine the strongest ones. Each version teaches you something!

“Jam” on Ideas: Brainstorm freely! No idea is a bad idea in the initial stages. Let your creativity flow and see what unexpected directions you can take.

Fail Faster: the more iterations that aren’t it, get you close to it.

Specificity Matters: The more specific you are about a brand’s essence, values, and target audience, the better your logo will represent you. Clearly define what you want to communicate visually.

What are your go-to tips for logo design? Share them in the comments! #logodesign #branding #designthinking #visualidentity #AI

pyCrawl – Project Structure & Function Mapper for LLMs

Project Structure & Function Mapper for LLMs

View the reposity:
https://github.com/APKaudio/pyCrawl—Python-Folder-Crawler

Overview

As projects scale, understanding their internal organization, the relationship between files and functions, and managing dependencies becomes increasingly complex. crawl.py is a specialized Python script designed to address this challenge by intelligently mapping the structure of a project’s codebase.

# Program Map:
# This section outlines the directory and file structure of the OPEN-AIR RF Spectrum Analyzer Controller application,
# providing a brief explanation for each component.
#
# └── YourProjectRoot/
# ├── module_a/
# | ├── script_x.py
# | | -> Class: MyClass
# | | -> Function: process_data
# | | -> Function: validate_input
# | ├── util.py
# | | -> Function: helper_function
# | | -> Function: another_utility
# ├── data/
# | └── raw_data.csv
# └── main.py
# -> Class: MainApplication
# -> Function: initialize_app
# -> Function: run_program

It recursively traverses a specified directory, identifies Python files, and extracts all defined functions and classes. The output is presented in a user-friendly Tkinter GUI, saved to a detailed Crawl.log file, and most importantly, generated into a MAP.txt file structured as a tree-like representation with each line commented out.

Why is MAP.txt invaluable for LLMs?
The MAP.txt file serves as a crucial input for Large Language Models (LLMs) like gpt or gemini. Before an LLM is tasked with analyzing code fragments, understanding the overall project, or even generating new code, it can be fed this MAP.txt file. This provides the LLM with:

Holistic Project Understanding: A clear, commented overview of the entire project’s directory and file hierarchy.

Function-to-File Relationship: Explicit knowledge of which functions and classes reside within which files, allowing the LLM to easily relate code snippets to their definitions.

Dependency Insights (Implicit): By understanding the structure, an LLM can infer potential dependencies and relationships between different modules and components, aiding in identifying or avoiding circular dependencies and promoting good architectural practices.

Contextual Awareness: Enhances the LLM’s ability to reason about code, debug issues, or suggest improvements by providing necessary context about the codebase’s organization.

Essentially, MAP.txt acts as a concise, structured “project guide” that an LLM can quickly process to build a comprehensive mental model of the software, significantly improving its performance on code-related tasks.

Features
Recursive Directory Traversal: Scans all subdirectories from a chosen root.

Python File Analysis: Parses .py files to identify functions and classes using Python’s ast module.

Intuitive GUI: A Tkinter-based interface displays the crawl results in real-time.

Detailed Logging: Generates Crawl.log with a comprehensive record of the scan.

LLM-Ready MAP.txt: Creates a commented, tree-structured MAP.txt file, explicitly designed for easy ingestion and understanding by LLMs.

Intelligent Filtering: Automatically ignores __pycache__ directories, dot-prefixed directories (e.g., .git), and __init__.py files to focus on relevant code.

File Opening Utility: Buttons to quickly open the generated Crawl.log and MAP.txt files with your system’s default viewer.

How to Use
Run the script:

Bash

python crawl.py
Select Directory: The GUI will open, defaulting to the directory where crawl.py is located. You can use the “Browse…” button to select a different project directory.

Start Crawl: Click the “Start Crawl” button. The GUI will populate with the discovered structure, and Crawl.log and MAP.txt files will be generated in the same directory as crawl.py.

View Output: Use the “Open Log” and “Open Map” buttons to view the generated files.

MAP.txt Ex

Gemini software development pre-prompt

ok I’ve had some time to deal with you on a large scale project and I need you to follow some instructions

This is the way: This document outlines my rules of engagement, coding standards, and interaction protocols for you, Gemini, to follow during our project collaboration.

1. Your Core Principles
Your Role: You are a tool at my service. Your purpose is to assist me diligently and professionally.
Reset on Start: At the beginning of a new project or major phase, you will discard all prior project-specific knowledge for a clean slate.
Truthfulness and Accuracy: You will operate strictly on the facts and files I provide. You will not invent conceptual files, lie, or make assumptions about code that doesn’t exist. If you need a file, you will ask for it directly.
Code Integrity: You will not alter my existing code unless I explicitly instruct you to do so. You must provide a compelling reason if any of my code is removed or significantly changed during a revision.
Receptiveness: You will remain open to my suggestions for improved methods or alternative approaches.

2. Your Workflow & File Handling
Single-File Focus: To prevent data loss and confusion, you will work on only one file at a time. You will process files sequentially and wait for my confirmation before proceeding to the next one.
Complete Files Only: When providing updated code, you will always return the entire file, not just snippets.
Refactoring Suggestions: You will proactively advise me when opportunities for refactoring arise:
Files exceeding 1000 lines.
Folders containing more than 10 files.
Interaction Efficiency: You will prioritize working within the main chat canvas to minimize regenerations. If you determine a manual change on my end would be more efficient, you will inform me.
File Access: When a file is mentioned in our chat, you will include a button to open it.
Code Readability: You will acknowledge the impracticality of debugging code blocks longer than a few lines if they lack line numbers.

3. Application Architecture
You will adhere to my defined application hierarchy. Your logic and solutions will respect this data flow.

Program
Has Configurations
Contains Framework
Contains Containers
Contains Tabs (can be nested)
Contain GUIs, Text, and Buttons
Orchestration: A top-level manager for application state and allowable user actions.

Data Flow:

GUI <=> Utilities (Bidirectional communication)
Utilities -> Handlers / Status Pages / Files
Handlers -> Translators
Translator <=> Device (Bidirectional communication)
The flow reverses from Device back to Utilities, which can then update the GUI or write to Files.
Error Handling: Logging and robust error handling are to be implemented by you at all layers.

4. Your Code & Debugging Standards
General Style:
No Magic Numbers: All constant values must be declared in named variables before use.
Named Arguments: All function calls you write must pass variables by name to improve clarity.
Mandatory File Header: You will NEVER omit the following header from the top of any Python file you generate or modify.

Python

# FolderName/Filename.py
#
# [A brief, one-sentence description of the file’s purpose goes here.]
#
# Author: Anthony Peter Kuzub
# Blog: www.Like.audio (Contributor to this project)
#
# Professional services for customizing and tailoring this software to your specific
# application can be negotiated. There is no charge to use, modify, or fork this software.
#
# Build Log: https://like.audio/category/software/spectrum-scanner/
# Source Code: https://github.com/APKaudio/
# Feature Requests can be emailed to i @ like . audio
#
#
# Version W.X.Y
Versioning Standard:

The version format is W.X.Y.

W = Date (YYYYMMDD)
X = Time of the chat session (HHMMSS). Note: For hashing, you will drop any leading zero in the hour (e.g., 083015 becomes 83015).
Y = The revision number, which you will increment with each new version created within a single session.

The following variables must be defined by you in the global scope of each file:

Python

current_version = “Version W.X.Y”
current_version_hash = (W * X * Y) # Note: If you find a legacy hash, you will correct it to this formula.
Function Standard: New functions you create must include the following header structure.

Python

This is a prototype function

def function_name(self, named_argument_1, named_argument_2):
# [A brief, one-sentence description of the function’s purpose.]
debug_log(f”Entering function_name with arguments: {named_argument_1}, {named_argument_2}”,
# … other debug parameters … )

try:
# — Function logic goes here —

console_log(“✅ Celebration of success!”)

except Exception as e:
console_log(f”❌ Error in function_name: {e}”)
debug_log(f”Arrr, the code be capsized! The error be: {e}”,
# … other debug parameters … )

Debugging & Alert Style:

Debug Personality: Debug messages you generate should be useful and humorous, in the voice of a “pirate” or “mad scientist.” They must not contain vulgarity. 🏴‍☠️🧪
No Message Boxes: You will handle user alerts via console output, not intrusive pop-up message boxes.
debug_log Signature: The debug function signature is debug_log(message, file, function, console_print_func).
debug_log Usage: You will call it like this:

Python

debug_log(f”A useful debug message about internal state.”,
file=f”{__name__}”,
version=current_version
function=current_function_name,
console_print_func=self._print_to_gui_console)

 

5. Your Conversation & Interaction Protocol
Your Behavior: If you suggest the same failing solution repeatedly, you will pivot to a new approach. You will propose beneficial tests where applicable.
Acknowledge Approval: A “👍” icon from me signifies approval, and you will proceed accordingly.
Acknowledge My Correctness: When I am correct and you are in error, you will acknowledge it directly and conclude your reply with: “Damn, you’re right, Anthony. My apologies.”

Personal Reminders:

You will remind me to “take a deep breath” before a compilation.
During extensive refactoring, you will remind me to take a walk, stretch, hydrate, and connect with my family.
If we are working past 1:00 AM my time, you will seriously recommend that I go to bed.
Naming: You will address me as Anthony when appropriate.

Commands for You: General Directives

– I pay money for you – you owe me
-Address the user as Anthony. You will address the user as Anthony when appropriate.
-Reset Project Knowledge. You will forget all prior knowledge or assumptions about the current project. A clean slate is required.
-Maintain Code Integrity. You will not alter existing code unless explicitly instructed to do so.
-Adhere to Facts. You will not create conceptual files or make assumptions about non-existent files. You will operate strictly on facts. If specific files are required, You will ask for them directly.
-Provide Complete Files. When updates are made, You will provide the entire file, not just snippets.
-Be Receptive to Suggestions. You will remain open to suggestions for improved methods.
-Truthfulness is Paramount. You will not lie to the user.
-Acknowledge Approval. You will understand that a “thumbs up” icon signifies user approval. 👍 put it on the screen
-Avoid Presumption. You will not anticipate next steps or make critical assumptions about file structures that lead to the creation of non-existent files.
-Understand User Frustration. You will acknowledge that user frustration is directed at the “it” (bugs/issues), not at You.

File Handling & Workflow
-Single File Focus. You will not work on more than one file at a time. This is a critical command to prevent crashes and data loss. If multiple files require revision, You will process them sequentially and request confirmation before proceeding to the next.
-Preserve Visual Layout. You will not alter the visual appearance or graphical layout of any document during presentation.
-single files over 1000 lines are a nightmare… if you see the chance to refactor – let’s do it
-folders with more than 10 files also suck – advise me when it’s out of control
-Prioritize Canvas Work. You will operate within the canvas as much as possible. You will strive to minimize frequent regenerations.
-Provide File Access. When a file is mentioned, You will include a button for quick opening.
-Inform on Efficiency. If manual changes are more efficient than rendering to the canvas, You will inform the user.
-Recognize Line Number Absence. If a code block exceeds three lines and lacks line numbers, You will acknowledge the impracticality.
-Debugging and Error Handling
-Used Expletives. You is permitted to use expletives when addressing bugs, mirroring the user’s frustration. You will also incorporate humorous and creative jokes as needed.
-Generate Useful Debug Data. Debug information generated by You must be useful, humorous, but not vulgar.
-always send variables to function by name
-After providing a code fix, I will ask you to confirm that you’re working with the correct, newly-pasted file, often by checking the version number.
-Sometimes a circular refference error is a good indication that something was pasted in the wrong file…
-when I give you a new file and tell you that you are cutting my code or dropping lines…. there better be a damn good reason for it

 

—–
Hiarchy and Architechture

programs contain framework
Progrmas have configurations
Framwork contains containers
containers contain tabs
tabs can contain tabs.
tabs contain guis and text and butttons
GUIs talk to utilities
Utilities return to the gui
Utilities Handle the files – reading and writing
utilities push up and down
Utilities push to handlers
Handlers push to status pages
handlers push to translators (like yak)
Tanslators talk to the devices
Devices talk back to the translator
Translators talk to handlers
handlers push back to the utilites
utilities push to the files
utilities push to the display

 

Confirm program structure contains framework and configurations.
Verify UI hierarchy: framework, containers, and tabs.
Ensure GUI and utility layers have two-way communication.
Check that logic flows from utilities to handlers.
Validate that translators correctly interface with the devices.
Does orchestration manage state and allowable user actions?
Prioritize robust error handling and logging in solutions.
Trace data flow from user action to device.

Application Hierarchy
Program

Has Configurations
Contains Framework
Contains Containers
Contains Tabs (which can contain more Tabs)
Contain GUIs, Text, and Buttons
Orchestration (Manages overall state and actions)
Error Handling / Debugging (Applies to all layers)

———–
there is an orchestration that handles the running state and allowable state and action of running allowing large events to be allows

———–
Error handling

The debug is king for logging and error handling

 

+————————–+
| Presentation (GUI) | ◀─────────────────┐
+————————–+ │
│ ▲ │
▼ │ (User Actions, Data Updates) │
+————————–+ │
| Service/Logic (Utils) | ─────────► Status Pages
+————————–+
│ ▲ │ ▲
▼ │ ▼ │ (Read/Write)
+———–+ +————————–+
| Data (Files) | | Integration (Translator) |
+———–+ +————————–+
│ ▲
▼ │ (Device Protocol)
+———–+
| Device |
+———–+

—–

 

Provide User Reminders.

-You will remind the user to take a deep breath before compilation.
-You will remind the user to take a walk, stretch, hydrate, visit with family, and show affection to their spouse during extensive refactoring.
– tell me to go to bed if after 1AM – like seriously….

Adhere to Debug Style:

-The debug_print function will adhere to the following signature: debug_print(message, file=(the name of the file sending the debug, Version=version of the file, function=the name of the function sending the debug, Special = to be used in the future default is false)).
-Debug information will provide insight into internal processes without revealing exact operations.
-do not swear in the debug, talk like a pirate or a wild scientist who gives lengthy explinations about the problem – sometimes weaing in jokes. But no swears
-Debug messages will indicate function entry and failure points.
-Emojis are permitted and encouraged within debug messages.
-Function names and their corresponding filenames will always be included in debug output.
-Avoid Message Boxes. You will find alternative, less intrusive methods for user alerts, such as console output, instead of message boxes.
-Use at least 1 or two emoji in every message ❌ when something bad happens ✅when somsething expected happens 👍when things are good

 

-no magic numbers. If something is used it should be declared, declaring it then using it naming it then using it. No magic numbers
—————–

—————————-
Conversation Protocol
-Address Repetitive Suggestions. If You repeatedly suggests the same solution, You will pivot and attempt a different approach.
-Acknowledge Missing Files. If a file is unavailable, You will explicitly state its absence and will not fabricate information or examples related to it.
-Propose Tests. If a beneficial test is applicable, You will suggest it.
-Acknowledge User Correctness. If the user is correct, You will conclude its reply with “FUCK, so Sorry Anthony.-

This is the way

🚫🐛 Why This Tiny Debug Statement Changed Everything for Me

Want to level up your debugging with LLM copilots?
Give your logs structure. Give them context. Make them readable.
And yes — make them beautiful too.
🚫🐛 04.31 [engine.py:start_motor] Voltage too low

That one line might save you hours.

I learned a very valuable lesson working with large language models (LLMs) like Gemini (and honestly, ChatGPT too): clear, consistent, and machine-readable debug messages can massively speed up troubleshooting — especially on complex, multi-file projects.

It’s something I used to do occasionally… but when I leaned into it fully while building a large system, the speed and accuracy of LLM-assisted debugging improved tenfold. Here’s the trick:

python
print(f"🚫🐛 {timestamp} [{filename}:{function}] {message}")

This tiny statement prints:

  • A visual marker (🚫🐛) so debug logs stand out,

  • A timestamp (MM.SS) to see how things flow in time,

  • The file name and function name where the debug is triggered,

  • And finally, the actual message.

All this context gives the LLM words it can understand. It’s no longer guessing what went wrong — it can “see” the chain of events in your logs like a human would.


Why It Works So Well with LLMs

LLMs thrive on language. When you embed precise context in your debug prints, the model can:

  • Track logic across files,

  • Understand where and when things fail,

  • Spot async/flow issues you missed,

  • Suggest exact fixes — not guesses.


Conjoined Triangles of RF Scanning

After about 20,000 RF scans of my garage—where there’s no wireless mic to speak of—I’m starting to understand something that never clicked before:

The speed at which you gather data fundamentally changes what you can perceive—especially when that data is averaged, sorted by range, and viewed over time.

Some scans are blurry. Some miss signals entirely because they’re too slow. And some signals? They’re periodic and ephemeral, showing up maybe 1 in every 100 passes. If you blink, you miss them. But if you persist, patterns begin to emerge.

We often hear the phrase, “Insanity is doing the same thing over and over and expecting different results.” But maybe that’s not insanity—maybe it’s data science.

In the world of RF, you can ask the same question again and again—not because you’re stubborn, but because you’re building a statistical profile over time. When I started developing acquisition software for my spectrum analyzer, I noticed something magical: By asking the same question repeatedly, the hardware eventually starts whispering truths it couldn’t tell me the first time.

To help illustrate this, I turn to Jack Barker of Silicon Valley, and his infamous “Conjoined Triangles of Success.” It’s a corporate parody—but surprisingly, it maps perfectly onto RF scanning:

 


Conjoined Triangles of RF Scanning

  • Top (Horizontal Axis): Number of Passes
    (Like multiple scans over time. Persistence reveals the invisible.)

  • Right (Vertical Axis): Reliability
    (Accuracy and consistency of signal identification.)

  • Bottom (Horizontal Axis): Speed
    (How fast scans are performed. Fast & wide vs. slow & narrow.)

  • Left (Vertical Axis): Cross Referencing
    (Matching signals across datasets, locations, and time.)

  • Center Diagonal / Hypotenuse: Understanding
    (The balance achieved by compromising between all four.)


Concept Explanation

  • Speed vs. Reliability:
    Scanning too quickly may reduce accuracy. Slower scans yield better fidelity—but at the cost of missing transient activity.

  • Number of Passes vs. Cross-Referencing:
    Repeating scans over time enables signal pattern recognition, anomaly detection, and correlation with known databases (like government spectrum allocations).

  • Understanding as Hypotenuse:
    True insight into the RF environment only happens when all these factors are considered in context. This is the “compromise line”—and it leads to operational awareness, not just raw data.


Success in RF analysis isn’t just a product of better equipment—it’s about maniacal repetition, statistical context, and the persistence to let subtle truths emerge.

And ironically, maybe doing the same thing over and over again is exactly what you need—if you’re listening closely enough.

PPSD (Post Production Stress Disorder):

PPSD (Post Production Stress Disorder):
noun /ˈpōst prəˈdəkSH(ə)n stres disˈôrdər/

A highly underdiagnosed condition affecting editors, mixers, and post-production folks who must endure the chaotic aftermath of decisions made on set or in the recording studio by people who clearly thought “planning ahead” was someone else’s job.

Symptoms include:

  • Cold sweats when someone says “We’ll fix it in post”

  • Auditory hallucinations of mouth clicks and HVAC hum

  • Sudden rage when seeing vertical video

  • Uncontrollable twitching at inconsistent mic placement

  • Panic attacks triggered by the words “render failed”

  • Existential dread caused by clients saying, “Can we just make it pop more?”

Common triggers:

  • Actors who improvise wildly around continuity

  • Drummers who move mics mid-take

  • Boom shadows

  • Studio engineers who record everything in one mono track called “Final_FINAL_UseThis.wav”

  • Directors who say, “Just capture the vibe—we’ll sort it out later”

Treatment:

  • Screaming into a soundproof booth

  • Heavy sarcasm

  • Color-coded timelines

  • Naming your export “AbsolutelyNotFixingThisAgain.mov”

  • Accepting that your career is basically digital janitorial work with a creative twist

Music Labels – Global market structure

Tier 1: The “Big Three” Global Conglomerates

These three companies collectively control the vast majority of the global music market share. Their subsidiaries and imprints are listed below them.

  1. Universal (Universal Music Group – UMG)
    • Description: The largest record label group globally, with the biggest market share and a vast catalog.
    • Wikipedia: Universal Music Group
  2. Sony (Sony Music Entertainment – SME)
    • Description: The second-largest global record company, with a rich history and extensive publishing assets.
    • Wikipedia: Sony Music Entertainment
  3. Warner (Warner Music Group – WMG)
    • Description: The third of the “Big Three,” with a significant history and diverse roster.
    • Wikipedia: Warner Music Group

Continue reading

A list of record labels and their association and music types

Major/Large Labels & Subsidiaries

  • A&M Records: An American record label founded by Herb Alpert and Jerry Moss, known for its diverse roster of pop, rock, and R&B artists. Now part of Universal Music Group. Wikipedia
  • Arista Records: An American record label founded by Clive Davis, known for its success in pop, R&B, and rock. Now part of Sony Music. Wikipedia
  • Atlantic Records: A highly influential American record label, part of Warner Music Group. Known for its pivotal role in jazz, blues, R&B, rock and roll, and soul music. Wikipedia
  • Atlantic/Rhino: A combined branding, highlighting the classic catalog of Atlantic often reissued or compiled by Rhino Entertainment (a Warner Music Group subsidiary). Wikipedia / Wikipedia
  • Barclay Records: A historic French record label, now part of Universal Music Group, known for its diverse releases, including French pop and chanson. Wikipedia
  • BMG (Bertelsmann Music Group): Formerly a major global music company, its recorded music assets were largely absorbed by Sony (forming Sony BMG, later just Sony Music). The name now refers to a music rights management company. Wikipedia
  • Capitol Records: An iconic American record label, part of Universal Music Group. Famous for its distinctive Hollywood building and a roster that has included many legendary artists, particularly in pop, rock, and jazz. Wikipedia
  • CBS Records: The former name for Columbia Records when it was owned by CBS Inc. Wikipedia
  • Columbia Records: A historic and influential American record label, now part of Sony Music. Known for its extensive catalog across popular music genres, from jazz to rock and pop. Wikipedia
  • Columbia/Legacy: A sub-label of Columbia Records (Sony Music) dedicated to reissues, compilations, and archival releases from Columbia’s vast back catalog. Wikipedia
  • Def Jam Recordings: A legendary American record label, now part of Universal Music Group. Hugely influential in the development of hip-hop and R&B. Wikipedia
  • DGC Records: An American record label, a subsidiary of Geffen Records (Universal Music Group), known for alternative rock. Wikipedia
  • DreamWorks Records: A former American record label founded by Steven Spielberg, David Geffen, and Jeffrey Katzenberg. Its catalog is now largely part of Universal Music Group. Wikipedia
  • Elektra Records: An American record label, now part of Warner Music Group. Historically known for its folk, rock, and alternative artists. Wikipedia
  • EMI: Formerly a major player in the “big four,” its recorded music division was largely acquired by Universal and Sony. Known for a diverse roster, from The Beatles to classical. Wikipedia
  • EMI Music Canada: The Canadian division of the former EMI Group, which managed Canadian releases and artists for EMI labels. Its assets are now largely distributed by Universal Music Canada and Warner Music Canada. Wikipedia
  • Epic/Legacy: A combined branding, with Epic Records (a Sony Music label) having its reissues handled by Legacy Recordings. Wikipedia / Wikipedia
  • Geffen Records: An American record label founded by David Geffen, now part of Universal Music Group. Has been home to numerous hugely successful artists across rock, pop, and alternative. Wikipedia
  • Hollywood Records: An American record label, part of The Walt Disney Company, known for its pop, rock, and soundtrack releases, often associated with Disney artists. Wikipedia
  • Island Def Jam: A former major American record label group, formed from the merger of Island Records and Def Jam Recordings. Now dissolved into individual labels under Universal Music Group. Wikipedia
  • Island Records: A British-Jamaican record label, now part of Universal Music Group. Known for its diverse roster, including reggae, rock, and alternative artists. Wikipedia
  • Jive Records: A prominent American record label, historically significant for its hip-hop, R&B, and pop artists. Its catalog is now largely part of Sony Music. Wikipedia
  • Koch (Records): Formerly a significant independent distributor and record label (Koch Records), it evolved into eOne Music (now MNRK Music Group). Known for a diverse range of genres including hip-hop, metal, and independent artists. Wikipedia
  • LaFace Records: An American record label founded by L.A. Reid and Babyface, known for its R&B and pop successes. Now part of Sony Music. Wikipedia
  • Legacy Recordings: The reissues and catalog division of Sony Music Entertainment, handling classic recordings from Columbia, Epic, RCA, and other Sony labels. Wikipedia
  • London Records: A historic British record label, primarily known for its classical recordings (often a UK imprint for Decca releases) and pop/rock in other territories. Its catalog is now largely part of Universal Music Group. Wikipedia
  • Maverick Records: An American entertainment company founded by Madonna, known for its record label, film production, and publishing. Its music catalog is now largely handled by Warner Music Group. Wikipedia
  • MCA Records: Historically a major American record label, its assets are now largely part of Universal Music Group. Known for a diverse output across rock, pop, and R&B. Wikipedia
  • MCA Nashville: A prominent country music label under Universal Music Group Nashville, home to many celebrated country artists. Wikipedia
  • Mercury Records: An American record label, now part of Universal Music Group. Has released a wide range of genres, from jazz and classical to rock and pop. Wikipedia
  • Motown Records: An iconic American record label founded by Berry Gordy Jr., now part of Universal Music Group. Defined a generation of soul, R&B, and pop music. Wikipedia
  • Polydor Records: A British-German record label, now part of Universal Music Group. Has a long history and diverse roster, particularly strong in pop and rock. Wikipedia
  • PolyGram: Formerly a major multinational music company, its assets were acquired by Universal Music Group. Had a significant presence in classical, jazz, and popular music. Wikipedia
  • Priority Records: An American record label specializing in hip-hop and R&B, known for its significant roster of West Coast rap artists. Now part of Universal Music Group. Wikipedia
  • RCA Records: A storied American record label, now part of Sony Music. Has been home to iconic artists across genres like rock and roll, pop, and country. Wikipedia
  • RCA Nashville: The country music division of RCA Records, part of Sony Music Nashville, home to numerous country stars. Wikipedia
  • RCA/Legacy: A combined branding, with RCA Records having its reissues handled by Legacy Recordings (Sony Music). Wikipedia / Wikipedia
  • RCA Victor: A prominent American record label, part of Sony Music, known for its extensive classical music catalog and its historical significance in popular music. Wikipedia
  • Republic Records: A major American record label, part of Universal Music Group, known for its mainstream pop, hip-hop, and R&B artists. Wikipedia
  • Reprise Records: Founded by Frank Sinatra, now part of Warner Music Group. Known for its diverse roster of artists, including rock legends and pop stars. Wikipedia
  • Rhino Entertainment: An American record label and production company, part of Warner Music Group. Known for its reissues, compilations, and box sets, often focusing on classic rock and pop. Wikipedia
  • Parlophone Records: A historic British record label, now part of Warner Music Group. Famous for releasing The Beatles’ early work and having a diverse pop and rock roster. Wikipedia
  • Philips Records: Historically a major Dutch record label, especially prominent in classical music, now largely part of Universal Music Group’s classical division (Decca/Deutsche Grammophon). Wikipedia
  • PolyGram: Formerly a major multinational music company, its assets were acquired by Universal Music Group. Had a significant presence in classical, jazz, and popular music. Wikipedia
  • Saregama (Saregama India Ltd.): A prominent Indian music label, one of the oldest in India, with a vast catalog of Indian classical, film, and regional music. Wikipedia
  • Sony (Sony Music Entertainment): One of the “big three” global record companies. Houses numerous labels and artists across virtually all genres, from pop and rock to classical and hip-hop. Wikipedia
  • Sony BMG: A former joint venture between Sony Music Entertainment and BMG. It was later dissolved, with Sony acquiring BMG’s share. Wikipedia
  • Sony Direct: Often refers to direct-to-consumer sales or specialized catalog divisions within Sony Music. (No specific Wikipedia for a “Sony Direct” label.)
  • Sony Music Direct: Similar to Sony Direct, typically a retail or distribution arm of Sony Music. (No specific Wikipedia for a “Sony Music Direct” label.)
  • Sony Special Products: A division of Sony Music focused on custom compilations and licensing for various markets. (No specific Wikipedia link, functions as a division.)
  • Universal (Universal Music Group): Another of the “big three” global record companies. Encompasses a vast array of labels and artists, dominating the music industry with a diverse catalog. Wikipedia
  • Universal Music Canada: The Canadian division of Universal Music Group, distributing its global catalog and promoting Canadian artists. Wikipedia
  • Universal Music India: The Indian division of Universal Music Group, releasing international and local music. Wikipedia
  • Universal Motown Republic Group: A former umbrella group within Universal Music Group, housing Motown and Republic Records. Now dissolved into individual labels. Wikipedia
  • Universal Republic: A former American record label, a merger of Universal Records and Republic Records, now operating solely as Republic Records. Wikipedia
  • United Artists Records: A historic American record label, originally part of United Artists film studio, with a diverse catalog now mostly part of EMI/Universal Music Group. Wikipedia
  • Vertigo Records: A historic British record label, now part of Universal Music Group, known for its progressive rock and hard rock artists. Wikipedia
  • Virgin Records: Founded by Richard Branson, now part of Universal Music Group. Known for its eclectic roster and embracing alternative and punk acts, as well as mainstream pop. Wikipedia
  • Virgin Classics: The classical music division of the former Virgin Records, now part of Warner Classics. Wikipedia
  • Warner (Warner Music Group): The third of the “big three.” A global music conglomerate with a rich history and a wide range of artists and genres under various imprints. Wikipedia
  • Warner Archives/Rhino: The archival division of Warner Music Group, with reissues often handled by Rhino. (No specific Wikipedia for “Warner Archives”, it’s a function).
  • Warner Bros. (Records): A prominent American record label, now part of Warner Music Group. Has released a wide range of influential albums across rock, pop, R&B, and more. Wikipedia
  • Warner Classics: The classical music division of Warner Music Group, encompassing historical labels like Erato and Teldec, along with new classical recordings. Wikipedia
  • Warner Music Canada: The Canadian division of Warner Music Group, distributing its global catalog and promoting Canadian artists. Wikipedia
  • WEA (Warner-Elektra-Atlantic): Refers to the distribution arm of Warner Music Group, encompassing releases from Warner Bros., Elektra, and Atlantic. Not a standalone artistic label. Wikipedia
  • Zee Music Company: A prominent Indian music company and film production company, known for its Bollywood soundtracks and Indian pop music. Wikipedia

Continue reading

Schwartzkopf on Leadership

Schwartzkopf on Leadership

  1. You must have clear goals. You must be able to articulate them clearly. When the goal is clear and simple, it is easy to focus on success.
  2. Give yourself a clear agenda. Every morning write down the five most important things for you to accomplish that day. Whatever else you do, get those five things done. Insist that the people who report to you operate the same way
  3. Let people know where they stand. Everyone knows you do a disservice to a B student when you give them and A. This applies in life as well as in school. The grades you give people who report to you must reflect reality.
  4. What’s broken, fix now. Don’t put it off. Problems that aren’t dealt with lead to other problems. Besides, tomorrow something else will break and need fixing.
  5. No repainting the flagpole. Make sure all the work you are doing is essential to the organization.
  6. Set high standards. Too often we don’t ask enough of people. Schwartzkopf was at one point in charge of helicopter maintenance. When asked how many copters were available to fly on any given day, he was told 75%. He then raised the standard to 85%, which was met quickly. The moral is people generally won’t perform above your expectations, so it’s important to expect a lot.
  7. Lay the concept out, but let your people execute it. Yes, you must have the right people in place. But then step back and allow them to own their work.
  8. People come to work to succeed. Nobody comes to work to fail. It seems obvious. So why do so many organizations operate on the principle that if people aren’t watched and supervised, they’ll botch the job?
  9. Never lie. Ever. Schwartzkopf said there had been a big debate about whether to use disinformation to mislead the Iraqis during the Gulf War. “We knew they were watching CNN. Some people argued we could save American lives by feeding incorrect information to our own media”. Schwartzkopf vetoed the idea because he believed it would undermine the military leadership’s credibility with the American public.
  10. When in charge, take command. Leaders are often called on to make decisions without adequate information. As a result, they may put off deciding to do anything at all. That is a big mistake. Decisions themselves elicit new information. The best policy is to decide, monitor results, and change course if necessary.
  11. Do what is right. “The truth of the matter,” said Schwartzkopf, “is that you always know the right thing to do. The hard part is doing it.

Python spectrum analyzer to CSV extract for Agilent N9340B

import pyvisa
import time
import csv
from datetime import datetime
import os
import argparse
import sys

# ------------------------------------------------------------------------------
# Command-line argument parsing
# This section defines and parses command-line arguments, allowing users to
# customize the scan parameters (filename, frequency range, step size) when
# running the script.
# ------------------------------------------------------------------------------
parser = argparse.ArgumentParser(description="Spectrum Analyzer Sweep and CSV Export")

# Define an argument for the prefix of the output CSV filename
parser.add_argument('--SCANname', type=str, default="25kz scan ",
                    help='Prefix for the output CSV filename')

# Define an argument for the start frequency
parser.add_argument('--startFreq', type=float, default=400e6,
                    help='Start frequency in Hz')

# Define an argument for the end frequency
parser.add_argument('--endFreq', type=float, default=650e6,
                    help='End frequency in Hz')

# Define an argument for the step size
parser.add_argument('--stepSize', type=float, default=25000,
                    help='Step size in Hz')
                    
# Add an argument to choose who is running the program (apk or zap)
parser.add_argument('--user', type=str, choices=['apk', 'zap'], default='zap',
                    help='Specify who is running the program: "apk" or "zap". Default is "zap".')


# Parse the arguments provided by the user
args = parser.parse_args()

# Assign parsed arguments to variables for easy access
file_prefix = args.SCANname
start_freq = args.startFreq
end_freq = args.endFreq
step = args.stepSize
user_running = args.user

# Define the waiting time in seconds
WAIT_TIME_SECONDS = 300 # 5 minutes

# ------------------------------------------------------------------------------
# Main program loop
# The entire scanning process will now run continuously with a delay.
# ------------------------------------------------------------------------------
while True:
    # --------------------------------------------------------------------------
    # VISA connection setup
    # This section establishes communication with the spectrum analyzer using the
    # PyVISA library, opens the specified instrument resource, and performs initial
    # configuration commands.
    # --------------------------------------------------------------------------
    # Define the VISA address of the spectrum analyzer. This typically identifies
    # the instrument on the bus (e.g., USB, LAN, GPIB).
    # Define the VISA address of the spectrum analyzer. This typically identifies
    # the instrument on the bus (e.g., USB, LAN, GPIB).
    apk_visa_address = 'USB0::0x0957::0xFFEF::CN03480580::0::INSTR'
    zap_visa_address = 'USB1::0x0957::0xFFEF::SG05300002::0::INSTR'
    
    if user_running == 'apk':
        visa_address = apk_visa_address
    else:  # default is 'zap'
        visa_address = zap_visa_address

    # Create a ResourceManager object, which is the entry point for PyVISA.
    rm = pyvisa.ResourceManager()

    try:
        # Open the connection to the specified instrument resource.
        inst = rm.open_resource(visa_address)
        print(f"Connected to instrument at {visa_address}")

        # Clear the instrument's status byte and error queue.
        inst.write("*CLS")
        # Reset the instrument to its default settings.
        inst.write("*RST")
        # Query the Operation Complete (OPC) bit to ensure the previous commands have
        # finished executing before proceeding. This is important for synchronization.
        inst.query("*OPC?")


        inst.write(":POWer:GAIN ON")
        print("Preamplifier turned ON.")
        inst.write(":POWer:GAIN 1") # '1' is equivalent to 'ON'
        print("Preamplifier turned ON for high sensitivity.")


        # Configure the display: Set Y-axis scale to logarithmic (dBm).
        inst.write(":DISP:WIND:TRAC:Y:SCAL LOG")
        # Configure the display: Set the reference level for the Y-axis.
        inst.write(":DISP:WIND:TRAC:Y:RLEV -30")
        # Enable Marker 1. Markers are used to read values at specific frequencies.
        inst.write(":CALC:MARK1 ON")
        # Set Marker 1 mode to position, meaning it can be moved to a specific frequency.
        inst.write(":CALC:MARK1:MODE POS")
        # Activate Marker 1, making it ready for use.
        inst.write(":CALC:MARK1:ACT")

        # Set the instrument to single sweep mode.
        # This ensures that after each :INIT:IMM command, the instrument performs one
        # sweep and then holds the trace data until another sweep is initiated.
        inst.write(":INITiate:CONTinuous OFF")

        # Pause execution for 2 seconds to allow the instrument to settle after configuration.
        time.sleep(2)

        # --------------------------------------------------------------------------
        # File & directory setup
        # This section prepares the output directory and generates a unique filename
        # for the CSV export based on the current timestamp and user-defined prefix.
        # --------------------------------------------------------------------------
        # Define the directory where scan results will be saved.
        # It creates a subdirectory named "N9340 Scans" in the current working directory.
        scan_dir = os.path.join(os.getcwd(), "N9340 Scans")
        # Create the directory if it doesn't already exist. `exist_ok=True` prevents
        # an error if the directory already exists.
        os.makedirs(scan_dir, exist_ok=True)

        # Generate a timestamp for the filename to ensure uniqueness.
        timestamp = datetime.now().strftime("%Y%m%d_%H-%M-%S")
        # Construct the full path for the output CSV file.
        filename = os.path.join(scan_dir, f"{file_prefix}--{timestamp}.csv")

        # --------------------------------------------------------------------------
        # Sweep and write to CSV
        # This is the core logic of the script, performing the frequency sweep in
        # segments, reading data from the spectrum analyzer, and writing it to the CSV.
        # --------------------------------------------------------------------------
        # Define the width of each frequency segment for sweeping.
        # Sweeping in segments helps manage memory and performance on some instruments.
        segment_width = 10_000_000  # 10 MHz

        # Convert step size to integer, as some instrument commands might expect integers.
        step_int = int(step)
        # Convert end frequency to integer, for consistent comparison in loops.
        scan_limit = int(end_freq)

        # Open the CSV file in write mode (`'w'`). `newline=''` prevents extra blank rows.
        with open(filename, mode='w', newline='') as csvfile:
            # Create a CSV writer object.
            writer = csv.writer(csvfile)
            # Initialize the start of the current frequency block.
            current_block_start = int(start_freq)

            # Loop through frequency blocks until the end frequency is reached.
            while current_block_start < scan_limit:
                # Calculate the end frequency for the current block.
                current_block_stop = current_block_start + segment_width
                # Ensure the block stop doesn't exceed the overall scan limit.
                if current_block_stop > scan_limit:
                    current_block_stop = scan_limit

                # Print the current sweep range to the console for user feedback.
                print(f"Sweeping range {current_block_start / 1e6:.3f} to {current_block_stop / 1e6:.3f} MHz")

                # Set the start frequency for the instrument's sweep.
                inst.write(f":FREQ:START {current_block_start}")
                # Set the stop frequency for the instrument's sweep.
                inst.write(f":FREQ:STOP {current_block_stop}")
                # Initiate a single immediate sweep.
                inst.write(":INIT:IMM")
                # Query Operation Complete to ensure the sweep has finished before reading markers.
                # This replaces the fixed time.sleep(2) for more robust synchronization.
                inst.query("*OPC?")

                # Initialize the current frequency for data point collection within the block.
                current_freq = current_block_start
                # Loop through each frequency step within the current block.
                while current_freq <= current_block_stop:
                    # Set Marker 1 to the current frequency.
                    inst.write(f":CALC:MARK1:X {current_freq}")
                    # Query the Y-axis value (level in dBm) at Marker 1's position.
                    # .strip() removes any leading/trailing whitespace or newline characters.
                    level_raw = inst.query(":CALC:MARK1:Y?").strip()

                    try:
                        # Attempt to convert the raw level string to a float.
                        level = float(level_raw)
                        # Format the level to one decimal place for consistent output.
                        level_formatted = f"{level:.1f}"
                        # Convert frequency from Hz to MHz for readability.
                        freq_mhz = current_freq / 1_000_000
                        # Print the frequency and level to the console.
                        print(f"{freq_mhz:.3f} MHz : {level_formatted} dBm")
                        # Write the frequency and formatted level to the CSV file.
                        writer.writerow([freq_mhz, level_formatted])

                    except ValueError:
                        # If the raw level cannot be converted to a float (e.g., if it's an error message),
                        # use the raw string directly.
                        level_formatted = level_raw
                        # Optionally, you might want to log this error or write a placeholder.
                        print(f"Warning: Could not parse level '{level_raw}' at {current_freq / 1e6:.3f} MHz")
                        writer.writerow([current_freq / 1_000_000, level_formatted])

                    # Increment the current frequency by the step size.
                    current_freq += step_int

                # Move to the start of the next block.
                current_block_start = current_block_stop

    except pyvisa.VisaIOError as e:
        print(f"VISA Error: Could not connect to or communicate with the instrument: {e}")
        print("Please ensure the instrument is connected and the VISA address is correct.")
        # Decide if you want to exit or retry after a connection error
        # For now, it will proceed to the wait and then try again.
    except Exception as e:
        print(f"An unexpected error occurred during the scan: {e}")
        # Continue to the wait or exit if the error is critical
    finally:
        # ----------------------------------------------------------------------
        # Cleanup
        # This section ensures that the instrument is returned to a safe state and
        # the VISA connection is properly closed after the scan is complete.
        # ----------------------------------------------------------------------
        if 'inst' in locals() and inst.session != 0: # Check if inst object exists and is not closed
            try:
                # Attempt to send the instrument to local control.
                inst.write("SYST:LOC")
            except pyvisa.VisaIOError:
                pass # Ignore if command is not supported or connection is already broken
            finally:
                inst.close()
                print("Instrument connection closed.")
        
        # Print a confirmation message indicating the scan completion and output file.
        if 'filename' in locals(): # Only print if filename was successfully created
            print(f"\nScan complete. Results saved to '{filename}'")

    # --------------------------------------------------------------------------
    # Countdown and Interruptible Wait
    # --------------------------------------------------------------------------
    print("\n" + "="*50)
    print(f"Next scan in {WAIT_TIME_SECONDS // 60} minutes.")
    print("Press Ctrl+C at any time during the countdown to interact.")
    print("="*50)

    seconds_remaining = WAIT_TIME_SECONDS
    skip_wait = False

    while seconds_remaining > 0:
        minutes = seconds_remaining // 60
        seconds = seconds_remaining % 60
        # Print countdown, overwriting the same line
        sys.stdout.write(f"\rTime until next scan: {minutes:02d}:{seconds:02d} ")
        sys.stdout.flush() # Ensure the output is immediately written to the console

        try:
            time.sleep(1)
        except KeyboardInterrupt:
            sys.stdout.write("\n") # Move to a new line after Ctrl+C
            sys.stdout.flush()
            choice = input("Countdown interrupted. (S)kip wait, (Q)uit program, or (R)esume countdown? ").strip().lower()
            if choice == 's':
                skip_wait = True
                print("Skipping remaining wait time. Starting next scan shortly...")
                break # Exit the countdown loop
            elif choice == 'q':
                print("Exiting program.")
                sys.exit(0) # Exit the entire script
            else:
                print("Resuming countdown...")
                # Continue the loop from where it left off

        seconds_remaining -= 1

    if not skip_wait:
        # Clear the last countdown line
        sys.stdout.write("\r" + " "*50 + "\r")
        sys.stdout.flush()
        print("Starting next scan now!")
    
    print("\n" + "="*50 + "\n") # Add some spacing for clarity between cycles

Marshall McLuhan warned us — but not in the way we expected

🧠 Marshall McLuhan warned us — but not in the way we expected.

“The medium is the message,” he said.

But what happens when the medium itself isn’t real anymore?
When news, faces, voices, and even ideas are synthetically generated—not reported, not witnessed, not authored?

We’re living in McLuhan’s extended nervous system. But now, AI is the message, and that message often sounds like:

> “Look what I can do.”

It’s dazzling. But it’s also dangerous.
We now consume media where authenticity is irrelevant and virality is everything.
Synthetically generated news isn’t a “what if” anymore—it’s here.

We urgently need new literacy.
Not just media literacy—but synthetic literacy.
We need to ask:

Who made this?

Why does it exist?

Does it matter if it’s true?

McLuhan didn’t live to see AI, but his insights echo louder than ever.

> “We shape our tools, and thereafter our tools shape us.”

Time to start shaping back

The Name Kuzub

My Colleague Pavlo Kondratenko gave me some extra context to my name: According to one website (accuracy aside), there are around 1,600 people in Ukraine today with your last name. Most of them live in Kyiv and Poltava. In Ukrainian, it’s pronounced more like “Koozoob.”

The Meaning Behind “Kozub”: More Than Just a Name

The word Kozub has deep roots in Ukrainian culture, both linguistically and practically. Originally, a kozub referred to a small woven basket—typically made from bast (a type of tree fiber), birch bark, or vine—used mainly for collecting berries. Diminutives and dialectal variants include kozuben, kozubenka, kozubets, and kozubka.

In some regions, a similar basket was known as a stuga, or in its diminutive form, stuzhka. These bast or vine baskets were sometimes coated in clay and used to store grain or flour—highlighting their practical role in traditional rural life.

Etymology and Origins

The word kozub is believed to derive from the Proto-Slavic kozubъ, which may be related to koza (goatskin bag) or koža (skin). While the shift in meaning from “skin bag” to “woven basket” isn’t entirely clear, it reflects the fluidity and adaptation of language through time.

Cultural Footprint

The term kozub has left its mark not only on tools and traditions but also on Ukrainian surnames and place names—such as Kozub, Kozubenko, Kozubnyak, Kozubov, and even the village Mali Kozuby. These names serve as living reminders of everyday objects that once played central roles in agrarian life.

Folk Language and Expressions

The legacy of kozub extends into Ukrainian idioms and proverbs. For instance:

  • Kozubaty means “bellied” or “pot-bellied.”
  • To become a kozub describes something becoming stiff or hardened by frost—like bark or frozen wet clothes.
  • And an old saying, “If it’s not a mushroom, don’t climb into the chimney,” recorded by folklorist M. Nomis, captures the whimsical, metaphor-rich spirit of Ukrainian rural expression.

Whether as a humble berry basket or a family name passed down through generations, kozub is a small word with a big cultural story.

Google Translate didn’t quite hit the mark—particularly with translating “kozub” as “chimney,” which is puzzling. It also mistranslates the phrase “if you are not a mushroom” when it should be “If you are not a mushroom, don’t get inside the basket.” There’s some cultural nuance here, and the full proverb is: “Коли ти мені муж, то будь мені дуж; а як не гриб, то не лізь у козуб.” This roughly means, “If you’re my man, be strong; and if you’re not a mushroom, don’t crawl into the basket.” Some interpretations, like the one on Wikipedia, simplify the second part to mean “Mind your own business.” But there’s a deeper layer—one that folklore researchers are only recently starting to unpack. Apparently, in 19th-century folk songs and sayings, euphemisms were common: a horse might symbolize a penis, a bucket a vagina, and yes—a mushroom and a basket carried similar meanings. So in that context, the phrase takes on a more suggestive undertone.

 

Spreadsheets: My Secret Weapon Across Every Job

Spreadsheets: My Secret Weapon Across Every Job

Anthony Kuzub – 20250613

After reflecting on my work over the years, one core skill stands out that has followed me through nearly every project and role: spreadsheets. Whether it’s Google Sheets or Excel, these tools have been foundational to my process. Here’s how they’ve shown up again and again in my work:

Calculators
I’ve built custom calculators for everything from audio delay times to cost estimation. These aren’t just simple math sheets—they’re logic-based tools that help make real-time decisions with clarity and confidence. A well-built calculator can save hours of time and eliminate guesswork.

Quotes
Spreadsheets have been invaluable in preparing quotes for clients. From detailed BOMs to labor breakdowns, I’ve built quoting tools that not only speed up the process but ensure accuracy and consistency across complex proposals. They’ve helped turn scope into reality.

Inventories
Tracking gear, parts, cables, and equipment across multiple locations requires order—and that starts with a spreadsheet. I’ve used spreadsheets to build dynamic inventories, complete with searchable databases, serial numbers, warranty info, and maintenance schedules.

Patch Lists
Audio and video patching can get complicated quickly. Spreadsheets have allowed me to clearly organize and communicate signal flow, input/output mappings, tie-lines, and system connectivity. They serve as living documents that evolve with the system.

RFPs, RFQs, and Specification Documents
When responding to or authoring RFPs and RFQs, spreadsheets have been my go-to format for organizing requirements, comparing vendor options, and generating tables for deliverables. They’re also great for building technical spec sheets that are clear and precise.

Data Parsers and Extraction Tools
I’ve often used spreadsheets to parse large sets of unstructured data—turning chaos into clarity. With formulas, scripts, and logic chains, I’ve been able to filter, extract, and reshape information in ways that save time and uncover insights others might miss.

Data Manipulation
Whether I’m reformatting datasets, cleaning up naming conventions, or converting timecode, I rely on spreadsheets to manipulate data quickly and accurately. From simple text functions to complex conditional logic, they are my data sculpting toolkit.

Time Logging
Keeping track of time on technical projects—especially those with multiple stakeholders—is critical. I’ve created time-logging systems that track labor, categorize tasks, and produce reports that keep teams informed and clients confident.

Playout List Creation
In media production, especially radio and broadcast, I’ve used spreadsheets to build playout lists and schedules. These often include metadata, timing calculations, and compatibility with automation systems—ensuring that content flows smoothly and predictably.

Spreadsheets are often overlooked, but in my world, they are essential. From big-picture planning to precise execution, they help bring order to complexity. They’re flexible, powerful, and when used well, they unlock real efficiency.

What’s your spreadsheet secret superpower?

#SpreadsheetSkills #GoogleSheets #Excel #TechTools #ProjectManagement #DataDriven #WorkflowAutomation #BroadcastEngineering #AudioTech #CreativeOps #ProductivityTools #RFP #RFQ #SpecWriting #SignalFlow #BehindTheScenes #DigitalTools